Paintings wich lacks a portion, the heart. Paintings that seem backdrops, frames of real paintings. The style moves on three registers (abstract, iconographic and conceptual) that make up an image effectively absent and closest to the center the painting becomes dense, geometry, iconographiy and manual rigor manual that evokes the rules of conduct for the community and the medieval illuminated manuscripts.

But the norm has been removed. The subject is absent. The king is naked.

The waste remain which commonly we prefer to exclude, what we do not give attention.